That project came out of a desire that threads through a lot of my work: the urge to help people understand that systems they ...

This Friday, May 22nd at 7 pm ET, join us at EARTH for a conversation on the Cybernetic Culture Research Unit (CCRU), accelerationism, and its ripple effects on contemporary art and culture with ...

This essay was originally published November 2022 as a chapter in the book Documentation as Art, edited by Annet Dekker and Gabriella Giannachi. In the preservation of digital art, documentation is ...

For nearly 30 years, Rhizome has supported digital art that has helped to shape contemporary conversations about technology and culture. In an era of platform monopolies, algorithmic manipulation, and ...

“But even if the internet is dead this doesnt mean it's over. It is all over.” When we met recently we talked about the glitch as it relates to contemporary image culture, but we also talked about the ...

“Imagine if we could begin our little life all over again. Imagine if it was all nothing more than some electronic game. Imagine if I knew then what I know now.” —Deus Ex Machina, Automata, 1984 If ...

This is the second in a three-part series to be published on Rhizome. The first part, exploring the history of the emoticon, can be found here. The final installment (forthcoming) will explore the ...

I first began to realize the potentiality of my glitch body at the age of thirteen. If not thirteen, maybe even a few years younger—eleven, even—when I signed up on Yahoo! under the handle of ...

This is the first post in a series on the queer history of computing, as traced through the lives of five foundational figures. It is both an attempt to make visible those parts of a history that are ...

Kristoffer Skorstengaard Tjalve: Daniel, we first started talking when I invited you to speak at Naive Yearly. During one of our calls, you said that the internet is really good at being big and small ...

Installation view, “Camera Rider” at Team Gallery, New York, 2019. Courtesy of Team Gallery. The latest in a series of interviews with artists who have a significant body of work that makes use of or ...

Martine Syms, film still produced for the cover of Most Days (2014). LP. Mixed Media Recordings, Brooklyn. The undersigned, being alternately pissed off and bored, need a means of speculation and ...