Pol Bury, “43 éléments se faisant face” (1968) (private collection, courtesy Galerie Patrick Derom) (photo by the author for Hyperallergic) PARIS — I particularly admire Pol Bury’s (1922–2005) ...
Occasionally, we get a tip for a project that is so compelling that we just have to write it up despite lacking details on how and why it was built. Alternatively, there are other projects where the ...
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