H.264 is undoubtedly the hottest codec around, but there are inherent market forces that complicate producing files that meet the needs of your target playback device or player. These include the fact ...
This article appears in the August/September issue of Streaming Media magazine. Click here for your free subscription. If you produce Windows Media files, your encoder is working with code supplied by ...
In the world of video codecs, ProRes and H.264 are two names that often come up. Both are widely used in the industry, but they serve different purposes and offer different advantages. In this guide, ...
Over the weekend I read another few dozen articles on the whole Apple (AAPL) and Adobe (ADBE) debate and probably read through a thousand comments. Some of the posts I read were really good, but far ...
The fuss about Flash on the iPad has now expanded to a serious discussion about Web video standards. Steve Jobs‘ missive about H.264 even garnered support from Microsoft. But the debate has spun on, ...
Look around you for devices that play digital video. Maybe you see a cable box, Blu-ray player, iPad, PlayStation 3, a Windows 7 PC or an Xbox. All these devices play video using the much-ballyhooed H ...
Ever since Google announced its purchase of video codec company On2 in August 2009, there’s been an expectation that On2’s VP8 codec would someday be open-sourced and promoted as a new, open option ...
The MPEG Licensing Authority has indefinitely extended the royalty-free Internet broadcasting licensing of its H.264 video codec to end users. The move erases a key advantage of Google’s WebM rival ...
This paper presents the development of an IP core for an H.264 decoder. This state-of-the-art video compression standard contributes to reduce the huge demand for bandwidth and storage of multimedia ...
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