In his early 70s, the pioneering choreographer began experimenting with a new software program called LifeForms (later DanceForms). In 1991, using this software as a tool, Cunningham made Beach Birds, ...
For a one-day performance, Faye Driscoll’s newest work will situate itself within the sand, dunes, rocks and water. In Driscoll’s most expansive tableaux vivant yet, the work will be a continuation of ...
This Saturday, the Beach Sessions Dance Series, now marking its ninth year, presented a new arrangement of Merce Cunningham’s “Beach Birds” (1991) and a “response” by Sarah Michelson. The ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results