One may be forgiven if a viewing of Henrik Ibsen’s controversial classic “A Doll’s House” is processed with simplicity. How could Nora just up and leave her children? What mother would do something so ...
Modern theater started with the slamming of a door. That’s what they say, at least. The door slams two hours into A Doll’s House, by the 19th-century Norwegian playwright Henrik Ibsen. The character ...
A perfect life is difficult to achieve but near impossible to maintain. This is the foundational message within Amy Herzog’s dynamic adaptation of the classic Henrik Ibsen play, A Doll’s House, ...
In “A Doll’s House, Part 2,” playwright Lucas Hnath cheekily proposes an answer to a question that has haunted the theater for more than a century: Whatever happened to Nora after she walked out on ...
PUTNEY Henrik Ibsen claimed that his seminal work, "A Doll's House," was not a feminist play. Yet many critics, to this day, say otherwise. Eric Walther, who is directing the production for the ...
Theater can hold up a mirror to society, forcing scrutiny of contemporary issues or ingrained concepts. When Henrik Ibsen penned "A Doll's House" in 1870s Norway, the play caused a sensation and was ...
This story was originally published by ArtsATL. Dancer and choreographer Meaghan Novoa grew up in Newnan, where their culturally Jewish mother and Venezuelan and Colombian American father, both ...
With the current prominence of the Barbie movie, doll’s houses are much on the public mind. In the movie, the heroine’s maturity is partly expressed in her leaving her doll’s house and indeed the ...
In the early scenes of "A Doll's House," it's uncomfortable to watch Jennifer Vosters' Nora Helmers. Nora flits around with the giddy, excessively cheerful manic energy of a person who's hiding or ...
The Oscar winner takes on a bare-bones modernization of Henrik Ibsen's classic play, to mixed results. Leah Greenblatt is the former critic at large for movies, books, music, and theater at ...
Add Yahoo as a preferred source to see more of our stories on Google. In “A Doll’s House, Part 2,” playwright Lucas Hnath cheekily proposes an answer to a question that has haunted the theater for ...