Tommaso Santambrogio’s film, which stakes out territory in both truth and fantasy, uses nonactors to tell intertwining stories set in contemporary Cuba. By Ben Kenigsberg When you purchase a ticket ...
There is a ravishing kind of beauty in Tommaso Santambrogio’s lyrical triptych of contemporary Cuban life, “Oceans Are the Real Continents.” With black and white cinematography that privileges an ...
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